You would have to pay if you wanted to have something printed and shipped to you though.īe creative, have fun or use for marketing.įor assistance and questions on the product you can contact us at or we have a great Support Center with articles giving step by step instructions. Or you can stay on a 'Free' account, there are great free templates that you can use without paying for subscription. You can download high-resolution photos or videos of your creations. Share your creations with those you love. You can personalize any template by adding your photos, music, and text. You can choose your favorite design for any occasion. That way you can play around with the premium designs and added features and see if it is something you can use. Smilebox makes it easy to create and share beautiful invitations, slideshows and collages. We refunded the amount billed to his Visa credit card ending in. We also have a trial period of 7 days and if a person cancels during this period, they will not be billed. He subscribed to Smilebox and was billed 47.88 on Janufor an annual subscription. The monthly, allows you to cancel each month, so if you were not sure you would use it over the year this might be a better option. Unfortunately, this is the way we source our revenue, but we have two subscription options to use the Premium Designs 0 Comments It may happen that Macros are disabled for the workbook you are working on. A) Since I sent them several emails, they should have it, and B) they gave me no link or any other way to send it to them.Thank you for your review, we appreciate the feedback. Ease of Use: Smile-box uses a WYSIWYG, drag-and-drop creation system, so you can jump right into the process without going through tons of tutorials. My response from Smilebox to this review was to ask me for my email address. Watch out for them! They are crooks! I also complained about the difficulties I was having in creating a card. I am now going to the Attorney General of my state and filing a complaint about Smilebox. Creating a scrapbook is a three-step process. And I certainly believe that they shouldn't ask for your financial information for a free membership, or change their customers to the most expensive membership, at will, without contacting the customer first and asking for permission. As a scrapbooking program, Smilebox is easy to use and produces good-looking results. I think that they should address the issues that the customer brings up in their emails/complaint form, and not switch to another issue. Maybe they don't want to hear all the complaints. I think that Smilebox should have a human being answering their customer service line. That's why I chose to start with a Basic membership, and, even if I had decided to upgrade, I wouldn't have gone to Premium. I received several emails back, telling me that they had wrapped up all of my complaints into one answer, and that answer was how to create a Smilebox card! What about cancelling my membership? What about reversing the illegal charges on my bank account? I am on a limited income and can't afford a Premium membership. SmileBox has a rating of 4.5 stars from 2,310 reviews, indicating that most customers are generally satisfied with their purchases. I did both, asking them to reverse the illegal charges on my bank account and to cancel my membership. The one complaint I have is this: I always set up the slideshow so it ends when the music ends but, when it is sent out to others, almost invariably the two are no longer synchronized. It's a great way to share photos and memories. Smilebox is a desktop program that lets you create scrapbooks, collages, interactive invitations, and more. I was redirected to write an email, or fill out a form. I find that Smilebox is well worth an annual subscription as I use it frequently enough. However, there is nowhere on the website page to cancel a membership. When I called the Customer Service number to cancel my membership, I was redirected by a recording to go on the website. I was subsequently charged on my bank account for a year's Premium membership. Do you agree with Smilebox's 4-star rating Check out what 3,794 people have written so far, and share your own experience. Then, I signed up for a Basic membership, so that I could learn how to navigate the site for free. For one thing, they seem to intend for you to include a lot of smiley family photos. I had problems even creating a Smilebox card.
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Though few casual broadcasters are legally required to caption at this point, captions are obviously highly desirable when broadcasting to deaf and hard-of-hearing people, when broadcasting to loud environments, or to viewers who might be watching with the sound turned off. On the other hand, for high-volume live streamers, Restream will likely prove more expensive than third-party products like Switchboard Live which don’t share the current 720p limitation. It was lovely not having to learn a completely new interface to make the function work. Restream worked well in my tests and the usability was excellent. From there, Telestream offers two packages, $25/month for 500 minutes and $0.05/minute for overages, or $75/month for 2,000 minutes and $0.0375/minute. Telestream charges for Restream on a per-minute/per-service basis, so ten minutes streamed to four services costs you 40 minutes. I asked about latency and learned that this varies by the service, though Restream typically adds between 10-20 seconds of latency. Quality on both sites was good and glass-to-glass latency was reasonable, about 14 seconds for YouTube Live and 27 seconds for Facebook Live. I tested Restream broadcasting to Facebook Live and YouTube Live. Click here to see this image at full size. Using Restream to stream to multiple destinations. More on how this pricing works below.įigure 1. However, you can Restream without captioning, which is important since these are both for-fee services. Note that you must enable Restream to access Live Captions since the speech-to-text operation is performed in the cloud. Clicking the Configure button next to the checkbox lets you enable or disable captions for any or all streams. Once enabled, Wirecast will encode a single “pool” encode, currently limited to 720p, transmit that to the cloud, and then distribute the streams to the selected services from the cloud. You choose and configure the services as before and select the Restream and Captions checkbox ( Figure 1, below). With Restream, you transmit a single stream into the cloud and direct that to multiple destinations, much like services like Switchboard Live. In previous versions of Wirecast, you could transmit to multiple services, but you needed sufficient processing power to encode a stream for each destination and the outbound bandwidth necessary for all streams. In version 10, Telestream debuted Wirecast Web Services, a cloud-based service that includes Wirecast Live Captions and Wirecast Restream, which allows you to send a single-input stream to multiple cloud destinations. With three pricing tiers available-Wirecast ONE, $249 Wirecast Studio, $449 Wirecast Pro, $699-Wirecast is cheap enough to stream simple webcam and PowerPoint tutorials or instructional videos and powerful enough for sophisticated multiple-camera live productions. I’ll describe these in order of introduction.įor readers unfamiliar with the program, Wirecast is a Windows/Mac live video production program that can input and mix multiple audio and video inputs, add transitions, titles, and other elements, and transmit the output stream to different services and/or store an archived version off to disk. Version 11 offered stinger transitions, while version 12 added a new stock media library, audio mixing in Rendezvous, and a QR Code Generator, so you can more easily direct viewers to an external web URL. This includes access to live captioning and restreaming to multiple platforms in Wirecast 10, both for-fee services offered with a generous 100-minute free trial. It’s been a while since we looked at Telestream Wirecast, now up to version 12.0, and we were intrigued by some of the key new features in the latest three updates. I currently use portable Western Digital drives which are small, beautiful, and give a lot of storage for the price. In addition to having a copy of images on my working drive, I also have two additional external hard drives which I keep all images on. When I say “working drive”, I mean the drive that I work off of for projects that aren’t finished and have not been delivered to the client it’s the drive that I’m editing or working from. I have two of them, but my favorite is a 2 terabyte Samsung T3 for me, this external hard drive maintains the balance of not breaking the bank, while also delivering a high volume of storage, in a small and beautiful blue case. One other note about my workflow, before I get into the systems and specifics, is that I use solid state external hard drives as my working drives. You are doing a high volume of work, you need to deliver images to clients, find old projects to show potential clients, find photos to market your business across your platforms, and you need to remember why you spent all that money on prime lenses (which was very well spent). The second person I’m outlining my system for is a professional photographer. The first is the hobbyist photographer you love photography, take pictures every chance you get, and even though you’re not delivering images to a paying client, you need to be able to find them when you want them. I’m going to outline my systems for two different people. I use two different systems for my professional and personal images they’re very similar, but fit different needs for me. I have 17 external hard drives lined up on a shelf in my closet ranging from 1tb to 4tb each and at least twice a year I get that frantic email from a client where I have to go back and find and redeliver their images. I’ve photographed over 400 weddings in my career, at least that many portrait sessions, and have worked with dozens and dozens of businesses. I needed it to be simple and fast to find any of my work, whether I needed to find a photo for marketing my business, or I had gotten one of those frantic emails from a client who had lost their photos and wondered if I still had them on file – luckily I did.Īs time has gone on, my digital photo storage and organization has become even more important. I’ve been a professional photographer since 2006, and one of the earliest systems I created was a system for organizing my photos on external hard drives. That's what brought you guys back together after so long. There just aren't enough hours in the day or days in the week for me to do all that I want to do to help people like that. Just to see the people and the devastation up close like that, you don't ever forget that. That's where her son and grandson found her after the storm - in the field. The tornado picked up the grandmother's house and took it a quarter-mile, and she fell out of the house when it was in the air. On that first ride, I stopped at one neighborhood, and there were four generations of a family sitting there on all that was left of their home: a concrete slab. That could have been people that I know and love." Go anywhere in this state, and talk to anybody, and they'll know somebody who lost their house or their kids or their business to the tornado. It was just so emotional because everywhere I rode, I thought, "That could have been my family. But I wore shades, and I rode up front, so nobody could see me. Jackson started the event a year after a deadly outbreak of tornadoes wreaked havoc on Alabama in 2011.ĮSPN: In 2012, when Bo Bikes Bama started, that must have been hard seeing that kind of devastation up close for five straight days.īo: Every day on that first ride, I shed tears somewhere along the route. Jackson, meanwhile, went on to become one of the greatest all-around athletes - and marketing phenoms - of his generation, before his career also was cut short by injuries.ĭespite sharing that iconic sports moment, for the past 27 years, Bo and Boz had never actually spoken until May 1, when ESPN caught up with them in a tiny hotel conference room on the eve of the fourth annual Bo Bikes Bama charity bike ride, an event that in its first three years raised nearly $1 million and helped build 57 storm shelters throughout Bo's home state. Plagued by bad shoulders and other issues, Bosworth was a shell of the dominant player he had been at Oklahoma, and his NFL career lasted just 17 more games. That night was the birth of Bo and the end of the Boz. In the second half, Jackson took a handoff near the goal line, moved to his left, cut toward the end zone and bulldozed Bosworth for his third score of the night on his way to a Monday Night Football-record 221 rushing yards. In the second quarter, Bo blew past Boz in the open field for a spectacular 91-yard touchdown. To some extent, it was good versus evil, talent versus talk, offense versus defense, the greatest athlete of all time versus the game's greatest villain.Īfter two storied carries, though, the great rivalry was over. 30, 1987, when the troubled and insolent Bosworth promised to shut down the explosive, electrifying Jackson, the game had spun into an epic showdown between two of the most popular rookies in NFL history. As soon as a smiling Bosworth can extricate himself from behind a cramped conference table, Bo and the Boz embrace for the very first time since their infamous collision on the goal line in Seattle during an iconic Monday Night Football game some 27 years ago. David Williams: ' Buffalo Bill is a different direction for Michael, he has a more vocal sound and includes his brothers singing more than in the past.' Bill Bottrell: ' We were playing with 'Buffalo Bill', I had a strong influence from John Barnes, and a very cool chorus:' Who shot Buffalo Bill? They said shot a lot, did I ever get killed?'.These are the words that burst out of Brian Bosworth's mouth the moment Bo Jackson appears in a doorway of a small office inside The Hotel at Auburn University. Bruce Swedien: ' He has a great symphonic introduction and a Lovely melody'. MJ said he composed it after Billie Jean. John Barnes: ' It's great but we did not finish it completely, I love it and I'd like to help finish it, it's a discarded Victory and it was considered for inclusion in Bad, It was one of the first complete song I did for and with Michael'. Inspired by poker player Wild Bill Hickok or bison hunter William Cody.Ĭonfirmed by Frank Dileo in 1984 and by MJ on several occasions. Jackson's first studio collaboration with John Barnes, recorded in 1983 during sessions for the Victory album. Buffalo Bill is a unreleased song by Michael Jackson with John Barnes, it was intended for the fifteenth studio album Victory by The Jacksons, and also intended for his seventh album Bad, but in none made the cut. |